Dugois Arbois Savagnin '05 & Chateau Batailley '94

Over the last couple of months I have been wallowing with the eagles at night a fair amount more than is probably good for me. So the rare occurance of making it to bed before 7am on Saturday meant that I was up in time to accompany Sister, through the blazing October sunshine to Borough market in search of pork.

'Nduja is one of the many ingredients available in London at the moment that are as trendy and delicious as they are unpronouncable. It is a raw pork sausage from Cantabria made mostly with head and neck cuts and then laced with shed-loads of hot peperoncino chilli. The porcine equivalent of speedballing.

Some people like to cook with it; frying it up or adding to sauces for pasta or fish. And whilst I'm sure this is great, it's also a bit of a cop-out. It's really just a pimped up Sobressade and hence better eaten on it's own, spread thickly on crusty bread.

It's also fantastically difficult to pair. The rich porkiness that you get from cheap cuts and raw fat shot through with untamed chilli seems specifically designed to obliterate almost any wine you care to mention.

We tried a couple of leftfield juices with supper: Dugois Arbois Savagnin '05 and Chateau Batailley '94.

The Batailley was the better wine: all sour blackberry and sweet raspberry, cracking woodiness, length and balance. No angles, and right in its prime.

The Savagnin is definitely an oxidative style, with a distinct, nutty vin jaune-y nose. But the palate's dancin', with a keen acidity and buckets of apples, cut by a lemon-pith finish. This was the wine for 'Nduja- the apple played nicely with the pork, and the citrus cut through the fattiness. There's not really an answer for that amount of chilli, but it was close enough.

Soaring with the pigs in the morning.

Occhipinti SP68 Rosso '09 & Il Frappatto '08

Les Caves de Pyrene, c. £14 & £18

At 3am on Sunday morning I was standing (I think) on a friend of mine's balcony drinking the last the last dregs of Occhipinti SP68 Rosso 2009 straight from the bottle. There were only plastic cups available and if you're going to look tackily drunk it's best to push it all the way.

Style is temporary, class is permanent.

Arianna Occhipinti has both in spades, but alas, I can only master one at a time. And seeing as I had evidently nailed the former pretty convincingly, the next night I moved on to the latter: Occhipinti Il Frappatto 2008 and Riedel.

SP68 is a blend of Cerasuolo di Vittoria grapes: Frappato and Nero 'Avola. 'Though fashionably it's just an IGT Sicilia. The '09's perfect for drinking now; what might have been spiky acid in youth has integrated into the wine. Cherry and blackberry are there, now joined by riper red fruit and seamless tannins. Uncomplicated and fruit-forward.

Il Frappato is a more serious beast, with vinification that confronts the grape's thin skins head-on. 70% of the wine sees a maceration sees a two month maceration, the other 30% stays on for 8.

The nose shows raisins, leather and rich red fruit, huge concentration. Good acid depth on the palate with again, a graceful, integrated structure, and a long, long finish on the fruit.

All bases are covered. Wines to introduce to your parents.

Panevino Is de fundu 'e muru '09

c. €25

As a foodstuff bread is fairly consistently overrated.

I'll admit that there exists a pretty wide choice of breads, and that, of course, not all bread is created equal. You can get posh breads; with bits of stuff in it or on it, bread made using funny flour or yeast, crafted into odd shapes, or cooked in special ovens. And this diversity means that it is one of few foods that can happily play its part in all three of the days meals.

But it's never really the star of the show. Its role is one of deliverance. It is a pusher of peanut butter, an enabler of escargots.

Strange I always think then that there are entire shops dedicated to it, people whose whole profession is 'baker', and that it is frequently mentioned by restaurant reviewers.

Our man at Panevino started out life as a 'baker' before moving on to winemaking, and it's clearly left a bit of a chip on his shoulder. If I was being kind I would describe him as "rude". At the end of a rather Socratic 30-minuite questioning session I finally managed to extract the following information:

Hail hit the crop in 2009 and so, rather than using grapes from different plots to make a number of cuvees in different styles as he normally would, he instead put all the grapes for his red wines together and vinified them in very slightly different ways. Six wines were made, each named afer the place in the cellar where the barrel was. They all mean things like 'the one in the middle' or 'the one at the front'.

Recourse to an online translation service suggests Is de Fundu e Muru was at the base of a wall. The grapes are field blend, mostly Cannonau (aka Grenache), and load of others that he's never bothered zetting.

Thin-skinned grenache gives a light colour, violets and oranges on the nose on a light leather and spice base. In the mouth concentration hits. Sweet berries, more leather, sappy fruit, brighter cherries and very light, fine tannins. There's lots here, and it demands attention.

Better than all bread, and most wine.

Borgogno Barolo '04

£32.70, Les Caves de Pyrene

TOD arrived at mine at 9am. Early for lunch, one might think.

He was laden with an inexpliacle alarm clock*, an explicable weariness, and an unjusifiable conviction that he had power of veto over my intention to go to Borough Market that morning.

Things fell apart... We didn't make lunch... I didn't make Borough... We took a cab out West.

Saturdays seem to be becoming increasingly picaresque. We may have drunk at three separate establishments, or possibly twelve. One, a pub, served oysters (in August?!), another hamburgers. Most treated us with with suspicion, some with disdain, and at least one, I believe, with outright terror. Later on TOD lost his Blackberry, keys, mind and a peacock feather that I had rather generously bought him. A la recherche de temps perdu.

All of this I put down to the Barolo: full of a passionate intensity, and just too young.

2004 Borgogno Barolo
The elegant Pinot-ish colour feints rich red fruit and dark cherries on the nose, flowers and leather too. Exceptional concentration. The palate is more austere; juicy and crunchy but firm. Before the tannins hit. Fine grained and supple, then succulent and coating, then puckering and total.

It's a disparate and poorly integrated amalgamation of high-quality components (at the moment), and all out of time.

But then again, these days, what isn't?


*predicatbly non-functioning

Dinavolo '06 and Dinavolino '10

£19.32 & 13.32, Les Caves de Pyrene

Very few of my close friends have any notcieable physical defects. I should point out that this is not out of any kind of bigotry, or eugenic companion selection on my part, it just so happens that amongst them they count not so much as a single cleft palate, club leg, or webbed toe.

I do however have a friend, Rollo, who has ginger hair.

I applaud the fact that in these enlightened times it is no longer acceptable to whisper, point, or throw faeces at those with ginger hair, and that the vast majority of the population do all they can to make these people feel accepted and comfortable amongst the rest of us. Small children may still cry in the street, but that's only natural.

With this in mind I decided to emphasise my own free-thinking liberalism by bringing a(nother) bottle of orange wine to a recent, 'though long-overdue, eating and drinking session with her: 2006 Denavolo "Dinavolo".

Made by Giulio Armani, winemaker at the well-known La Stoppa winery, but this from grapes on his own vinyard. 25% Some kind of Malvasia, 25% Ortrugo, 25% Marsanne, 25% God-knows-what. Straddling the line between 'minimum intervention' and 'just can't be fooked, mate.' The LCdP wine list reckons that '06 Dinavolo spent a year on its skins. Whoever told them this either a liar or certifiable, or most likely, both.

Dinavolo is wine that is savage in the best possible way (as holy as enchanted). Deep, dark orange, and opening with funk and cheese, rich oranges, herbs and spice come through, half sherbert, half dark British marmalade. The palate's huge, with brutal tannins, and fine acid, changing in the bottle by the hour, sometimes sweet, sometimes savoury. This one's pretty lairy even in comparison with other XM whites. Rollo loved it with cheese, and hated it on it's own. Which is a pretty liberal and open-minded approach to something quite so leftfield.

In comparison then: You wouldn't call Dinavolino a 'Baby Cuvee' to its face. It's got cheese and flowers on the nose, and is only a shade lighter than the Dinavolo. All the aggression's here too with a big mouth-puckering structure backing citrus fruit, by turns lush and sour. It's losing a little in terms of coplexity and layering of flavour, but at the price this one's a winner.

Drinking for the rebel and the rake. Outcast winemaking at its best.

Jamie's Italian

13 Friary St, GU1 4EH, £30 pp

I arrived at one of Jamie Oliver’s Italian eateries at the tail end of a concerted (and inexplicably unsuccessful) attempt to kill myself.

The previous four days had seen a number of triumphs for myself and a group of collaborators comprising the Russian, his American Sister, my own Sister and a new friend of mine whom I shall call Emily2, as that is very nealy her name, and avoids confusion with another friend of mine, Emily1.

Notable lowlights included ‘Formal Supper’ at Queen’s College Oxford at which myself, Sister and the American enjoyed drinking a fair amount of rare red Petillant Naturel and eating almost none of the food whilst wearing silly hats, getting ejected, and consequently breaking back into the same club a total of four times in a single evening, and taking 4 ½ hours to get from Oxford to Guildford via every M&S New York Pastrami sandwich between the two.

And once you get locked into a serious bender the tendency is to push it as far as you can. So Emily2 and I went for supper.

We were almost certainly intoxicated on arrival, and steady stream of first rate Prosecco based cocktails served only to abet this. ‘Though it really did highlight the consistent excellence of the service on offer; our young lady at one point expertly fielding Emily2’s deadpan complaint about a piece of white spaghetti amongst the squid ink stuff before moving swiftly on to complimenting us on our choice of espresso martinis for pudding (served in proper glasses- please take note Soho)

The food is really quite surprisingly good, even if everything is described, cooked and served a la Oliver and hence swimming in dizzy adjectives and olive oil, and presented in incomprehensible receptacles.

Our assortment of breads was good but came stuffed tightly into a small metal pot, which meant the liberation of one piece caused the rest to go all over the floor. My own seared Grey Mullet came with a sauce (roasted peppers, olives, chillis &c.) and a small rocket salad. Great.

Emily2’s Scallop and Squid ink spaghetti was equally good and came spiked with some intensely fiery red chilli. The magic here is how they’ve made the assorted ingredients taste so much; it is vibrant, flavoursome, singing food.

A subsequent visit brought the predictable discovery that the “World’s Best Olives” are not that, but they are quite good and served on ice. I’m not convinced this brought a whole lot flavour-wise but it did make them, and the accompanying tapenade, noticeably colder. The accompanying “music bread” (large shards of flatbread) smacked of finishing the thesaurus and moving on to the dictionary.

My fried squid came with “really garlicky mayo” which is a bold claim to make, especially when the garlic quotient of the sauce in question is situated well below perception threshold. Still- Emily2’s cockle linguine was a return to form; perfect, grit-less, cokcles and pasta in broth of lipsmacking intensity.

Day-glo badges that read “I finished all my vegetables at Jamie’s Italian” are not proffered voluntarily, but nor are they subject to a particularly stringent criteria test- the bemused looking man at the front desk will take your word.

(Assuming you don’t find yourself sharing the restaurant with Emily2 and I) I guarantee anyone will find the whole affair all rather brilliant and charming and reasonably priced.

Polpo, Sputino &c.

£God only knows, Soho.

I had always assumed lunch was a bit like Christmas; special because of its scarcity. It comes but once a day, a neat anchor-point right in the middle, much anticipated beforehand, and remembered fondly over subsequent hours.

Recent experience however has led me to establish that this is a myth, a mos perpetuated by mealtime traditionalists and admirers of 'brunch' alike. There is, in fact, no reason at all not to keep having lunches all afternoon, especially if you are somewhere as small and densely populated by trendy eateries as Soho...

The Russian's American Sister is a prodigously talented luncher, never found wanting in enthusiasm or execution, and only, on occasion, in sense of direction. The hundred metre walk from her apartment to Polpo took just over an hour. Once inside though we were golden.

The lamentable affectation of serving all wine in Duralex tumblers slightly undermined an otherwise good Bellini. Tapas (or 'Cicheti' if we need another word for tapas) varied from ok to pretty good, taking in fennel salami, pickled cabbage, potato and parmesan croquette, artichoke, prosciutto and a curious anchovy and chickpea houmous-tapenade hybrid. But they were very small, and at this point we didn't realise this lunch was merely the beginning of a trilogy.

From their 'Bread' section we came away with a small tomato-less pizza topped with garlicky, cheesy spinach and an egg, and something described thus: "Cured pork shoulder & Peperonata panino" which rather predictably turned out to be a ham and red pepper pannini. Both were good, but the spinach number was better. I can't remeber how much this little lot came to, but it wasn't much, and I nabbed a postcard on the way out- so a sucessful venture all round.

We retired back to the American's flat for some time on the roof terrace and a bottle of 2010 Iglesia Vella from Roc des Anges. The wine was unfortunately a barrel sample, and though not fizzy it had more than a smack of not-quite-finished-fermentation appleyness.

With the line between digestif and aperitif suitably blurred we were ready for lunch.

I was all up for a little trip to Hix Soho just down the street, but the American denounced it as 'shit' and so we had to go to the pub next door for Bangers, Mash and Beer. It was a classic interpretation of the theme, comprising cumberlands, mash, and a summery, hoppy ale or two. Very nice, and only let down by the fact that the onions rings were doused in gravy which comprehensively negated their crunchiness. Oh well.

After lunch we headed out for a few cocktails, the most memorable- in an unmarked downstairs bar decked out like an acid trip- all plastic mushroom lamps and barbie dolls glued to the ceiling. The best- a pretty good passion fruit daiquiri was, perhaps not coincedentally, the only cocktail all day served in a proper glass.

I had come to Soho that afternoon with a number of objectives; I had to return the American a bag of her clothes which she had left at my house on Friday, I wanted to drink posh wine in the sun on her roof terrace, and (ideally) I wanted to find Sputino, a newly opened gaff described universally as "achingly hip".

No cartographer in history has ever gotten to grips with the area ('tho Signore Alighieri had a go a while back I believe), and Sputino apparently had no signage and frosted windows... I didn't hold out much hope.

Imagine my delight then when, not 25 metres from the American's front door, we stumbled across (and subsequently into) it, for lunch.

The American is a 19 year old model, and was wearing sunglasses, as such she pulled off "achingly hip" quite well. My own sunglasses, on the other hand were broken, and I had been pushing the boundary between "achingly hip" and comatose for a couple of hours already. I remember little apart from a good pulled pork mini burger, and another equally good mini burger, though we may have just ordered the same pork one again. She has since informed me that there was also a croque monsieur, shoestring fries (whatever they may be), and some cocktails made with orange blossom involved.

It is an intereating fact that any particular day's fun quotient is in fact proportional to the cube of how many times one has been for lunch. Hence this was a full 27 times better than your run-of-the-mill Sunday.

Which is convenient because attempting this kind of bollix more than twice a year would probably kill me quite quickly.

* Unfortunately I failed a little in taking any photos of our adventure, save the authentically Soho view from the American's front door.

Le Pont de la Tour

36D Shad Thames London, £230 for 3

Now that the dust has settled and we have time to compose our thoughts and reactions, things have got a lot more confusing. So I’ll go for objectivity, present the facts straight, and leave long and difficult conclusions to someone else.

TOD arrived by taxi at my house at ten in the morning. He had some pink champagne for my family, a waistcoat which he struggled to put on for some time before discarding along with his hat, and was wearing pyjamas. These last were specifically ‘to give the impression that I’ve been to bed.’ A valiant attempt at subterfuge but more composure, less erratic behaviour and fewer stories about the visions he had of himself cooking bacon, would have completed the illusion better.

We were due at Le Pont de la Tour at Midday, though by 11 this was beginning to look unlikely, especially as past heroics mean TOD is blacklisted at Addison Lee. But arrive we did, at some point, via a pub, a cab, a members-only gym and a walk through the rain along the South Bank of the Thames.

Le Pont de la Tour’s opening salvo was by some distance the finest I have encountered in this country. They gave us frutos secos with the Martinis. Proper ones too: mixed, and with both sizes of corn.

The food is of the type that comes littered with technicolour smears, jus and garnish. Sister’s aubergine tower starter she said tasted like pizza. Which is probably a compliment of sorts. My own ‘Foie Gras Parfait’ (a special concoction dreamed up originally to make anyone who orders it sound like a prat), tasted like liver pate, the toast like toast, the garnish wasn’t bringing much to the party, and I left the smear of orange.

For mains TOD and Sister had a piece of accessorised Salmon. The chef's deconstruction of the other ingredients means I can’t tell you much more, but the fish was cooked to perfection.

I decided on 'Daube de Boeuf' because I didn’t know what it was, and was delighted to discover it means a large slow-cooked shanky bit of cow. Another diner may not have been so happy with the situation, as the internet has since informed that, of course, that’s not what it means at all.

I had noticed early on that this is one of those places that, rather pretentiously, does not give you salt or pepper. I’m not too keen on this practice at the best of times, but here it really serves to highlight the complete lack of flavour of everything that we ate. The ability to braise a bit of beef to melting perfection, but make both it, and the accompanying jus, taste of paper and water respectively is a peculiar skill to cultivate.

There are various reasons that my memory of the events is a little hazy, but I’m pretty sure that being unable to tell what most ingredients were using the traditional means of seeing and tasting it is quite high on the list.

Still, the obsolescence of sensory perception probably wasn’t making much of a difference to TOD who I established at one point was neither thinking about nor hearing what he himself was saying:

TOD – “Is everything OK man? There seem to be a lot of lulls in the conversation”
CV – “What? No there aren’t.”
TOD – “Well then I must have been asleep. Did I fall asleep?”
CV – “What? No. And when were these lulls?”
TOD – “They’re happening all the time. You know… when you and your sister aren’t talking.”
CV – “You mean when you’re talking?”
TOD – “Yeah.”

Our unblemished palates may not have required a trio of superb sorbets (rasberry, apple and a third which Sister correctly identified as Ribena), but these silences clearly needed filling. Initially I was a little concerned as they looked exactly like most of the other stuff we had just been served, but accompanied by homemade Lengua de Gato biscuits (not as good as out of a packet), they were brilliant.

A jolly post-prandial game involving throwing sugar cubes at each other was frowned upon by service which occupied a hinterland between frosty and hostile. Apart from the sommelier, who was quite good, but this was just as well because it was she who was tasked with the job of explaining the most staggering fuck-up of the day…

The week before we dined, D&D restaurant chain (of which Le Pont de la Tour is part) had spent a fair amount of time merrily issuing press releases claiming that they were slashing the prices of 100 of their top wines by up to half.

Needless to say that upon entering the restaurant I had commandeered the list from TOD, to prevent any daft choices, and set about it excitedly. Repeated assurances that it did contain up-to-date prices may well have been true, what it did not contain were any of the quite large selection of wines in their Top 100 which I was thinking about ordering.

Eventually we settled on a bottle of IGT Toscana (I do not use the ‘S-term' because I'm not keen on coming across as a tosser, and this one was pretty ordinary anyway) which was subject to their usual 400% mark-up. Not cool.

The very beginning and very end of our meal were pretty excellent, but the best that could be said of the middle was that it was extremely inoffensive. Mediocrity is a terrible criticism, but here I feel they've got away pretty lightly as the another way of describing it would be bland, souless, cynical, cold, outdated, imprecise, stuck-up and absurd.

Notting Hill Brasserie

92 Kensington Park Road, London. £150 for two including wine

As I suspected he might do, TOD met my latest arrival in West London with some violent and suspicious behaviour.

The area's cartographers, some deaf people, and a young lady who happened to be standing where he wanted to be, all came under attack. But particular vehemence was reserved for a woman sitting next to us in a pub who was wearing a preposterous hat.

The lobotomy of TOD's social conscience has led to a game in which he enjoys loudly speculating to himself about the dress sense, moral integrity and relative unintelligence of those in his immediate vicinity. And this regrettably-hatted woman had the great misfortune last Saturday of entering it.

She and her companion left half their drinks.

Having known him for far too long than is good for me, I understand that this kind of behaviour is in fact his way of expressing quite how happy he is with his lot. However, at this point, I was rather regretting stoking this particular fire by bringing him a lovely postcard of an umbrella shop as a gift.

Several pints of bitter later, we pointed ourselves in the direction of the Notting Hill Brasserie, TOD having begun the first of the day's many efforts to leave his postcard in a pub.

Good Espresso Martinis at the bar were enhanced by conversation with a charming and knowledgeable barman concerning his trade, before we made our way to a grand and almost entirely empty dining room.

I was prepared for the intimidating feel of the place having earlier purchased a smart handmade umbrella which lent a considerable gravitas to my operation, but it was clear that my umbrella-less companion was a little non-u.

I went for the excellent value £15.50 set lunch, whilst TOD opted a la carte because he wanted a rich and satisfying lobster and scallop starter.

My own starter comprised five melty medallions of pretty well completely raw tuna perched on a salad-y thing, which added a satisfying crunchiness, but little in the way of flavour. Delicate and unpretentious.

After the starters were cleared the excellent barman returned to give TOD back his postcard, which I was now beginning to suspect he probably wasn't responsible enough to look after properly.

For mains TOD enjoyed a high-quality fillet steak, but this was effortlessly trumped by my own braised beef cheek, which oozed a rich umami savouriness.

Earlier TOD had cemented his burgeoning reputation as a selector of poor wine, by ordering a glass of pretty dilute and indistinct Argentinean Chardonnay as an aperitif. Luckily my own choice of a bottle of Dolcetto D'Alba was sound, the wine full of bright racy cherries, and just enough body and structure to stand up to the beef .

A very decent, if diminutive, cheese plate preceded coffees and the bill. It was a good and precisely cooked meal served with a welcome side portion of surreal created by the design of the place, and a staff to customer ratio that can't have been too shy of 10:1.

We made our way back to the Earl of Lonsdale via an unsuccessful attempt to buy a sword from a man with a pony-tail ("Probably not the sword for you mate." after I told him that I just wanted a sword to walk into a pub with).

At some point later TOD lost his postcard.